bpNichol and Lionel Kearns at SGWU pt. 2, 1968
Annotations by Kylie Warkentin. Recording: “bpNichol and Lionel Kearns at SGWU, 1968 (Tape 2 of 2),” found in “The SGWU Poetry Series” collection by SpokenWeb Montreal
| Time | Annotation | Layer |
|---|---|---|
| 0:53 - 0:60 | [noise] for the low bull franchise to collect beat the the empty cartons [noise] = for the local franchise to collect the empty carton | T_Layer |
| 1:26 - 1:31 | are maintaining jew human dignity do you think the proud see c._e._o.s = in maintaining human dignity do you think the proud seals | T_Layer |
| 3:42 - 3:46 | wool plan worries found do his sir great surprise = wolf land where he found to his great surprise | T_Layer |
| 5:11 - 5:15 | [laughter] [noise] it was rubble new shouldn't = it was revolution | T_Layer |
| 6:36 - 6:51 | are puns stir or aren't new trips ours son drip are on trips ours been rot are runs spit art pit nurse are run sip art punt server or turn sip aren't chip runs our trips in ours burton = turnips are puns stir(?) are new trips are sun/son trip are un trips are spin rut are run spit are pit nurse are run sip are punt sir are turn sip are tip runs are turpsin are spurtin | T_Layer |
| 7:50 - 7:52 | this there's next booms called a trial than me = this next one's called ""The Child in Me""" | T_Layer |
| 11:07 - 11:11 | things in never |
T_Layer |
| 15:17 - 15:20 | times to calm you made their witness to the truth = times to come you may bear witness to the truth | T_Layer |
| 15:38 - 15:41 | that's the did depressing [laughter] = that's the difference | T_Layer |
| 16:48 - 16:51 | this is christmas [noise] = but this is Christmas poem | T_Layer |
| 17:43 - 17:46 | we will not carts hits a pace in your christmas = we will not participate in your Christmas | T_Layer |
| 18:04 - 18:08 | teaching um the ton fours we can mean here's the city [noise] = teaching um at Simon Frasier University | T_Layer |
| 18:42 - 18:49 | set |
T_Layer |
| 0:00 | Lionel Kearns in the middle of reading "The Parable of the Seventh Seal" | S_Layer |
| 6:17 | BP Nichol reads "Historical Implications of Turnips" | S_Layer |
| 7:02 | BP Nichol speaking | S_Layer |
| 7:13 | BP Nichol reading "Cycle Number 22" | S_Layer |
| 7:49 | BP Nichol speaking | S_Layer |
| 8:09 | BP Nichol reading "The Child in Me" | S_Layer |
| 9:10 | BP Nichol speaking | S_Layer |
| 9:48 | BP Nichol reading "The New New Canadian Captain PoetryLlues" | S_Layer |
| 12:53 | Lionel Kearns reading Split" | S_Layer |
| 14:07 | Lionel Kearns speaking | S_Layer |
| 14:40 | Lionel Kearns reading "The Difference" | S_Layer |
| 15:40 | Lionel Kearns speaking | S_Layer |
| 16:51 | Lionel Kearns reading "Christmas Poem" | S_Layer |
| 18:55 | Lionel Kearns reading "University" | S_Layer |
| 19:24 | Lionel Kearns reading "Economic Chronology" | S_Layer |
| 19:42 | BP Nichol reading "Alimony, OldLaloney" | S_Layer |
| 26:25 | Lionel Kearns speaking | S_Layer |
| 26:43 | Lionel Kearns reading "Ventilation Parable" | S_Layer |
| 31:19 | Lionel Kearns reading "Creation" | S_Layer |
| 31:52 | BP Nichol speaking | S_Layer |
| 32:00 | Lionel Kearns reading | S_Layer |
| 32:21 | BP Nichol speaking | S_Layer |
| 32:51 | Lionel Kearns speaking | S_Layer |
| 33:04 | BP Nichol reading "Zero Phase" | S_Layer |
| 34:36 | BP Nichol speaking | S_Layer |
| 34:58 | BP Nichol reading "Returning" | S_Layer |
| 37:49 | Lionel Kearns speaking | S_Layer |
| 38:13 | Lionel Kearns reading "It" | S_Layer |
| 38:45 | Lionel Kearns speaking | S_Layer |
| 39:55 | Lionel Kearns reading "Ambergris, a Statement on Source" | S_Layer |
| 40:42 | Lionel Kearns speaking | S_Layer |
| 41:12 | Lionel Kearns reading "Contra-Diction" | S_Layer |
| 41:40 | Lionel Kearns reading "Both" | S_Layer |
| 42:07 | Lionel Kearns speaking | S_Layer |
| 43:07 | Lionel Kearns reading "Friday at the Ex" | S_Layer |
| 43:34 | Lionel Kearns reading "Prototypes" | S_Layer |
| 45:33 | Lionel Kearns speaking | S_Layer |
| 45:42 | Lionel Kearns reading "End Poem" | S_Layer |
| 46:05 | BP Nichol reading | S_Layer |
| 0:00 | Cuts between most poems | N_Layer |
| 17:17 | Tape was recorded over - other voice plays over Kearns as a result | N_Layer |
| 24:15 | Cut in tape, BP Nichol reads first line with (what sounds like) other recording overlayed | N_Layer |
| 31:52 | Recording becomes inaudible as sound warps, cut in tape | N_Layer |
| 32:21 | Tape rewinds to BP Nichol introducing poem at 31:52 | N_Layer |
| 0:53 - 0:60 | laughter, mic feedback | E_Layer |
| 1:26 - 1:31 | mic feedback | E_Layer |
| 3:42 - 3:46 | mic feedback | E_Layer |
| 5:11 - 5:15 | said very low and sounded dense on mic, mic feedback, laughing just before | E_Layer |
| 6:36 - 6:51 | mic feedback, some fuzziness in recording | E_Layer |
| 7:50 - 7:52 | said far away from mic, pages rustling, rushing sound | E_Layer |
| 11:07 - 11:11 | rushing noise, page rustles, far away from mic, nothing too disturbing | E_Layer |
| 15:17 - 15:20 | rushing, pages rustling, ""bear"" was said loudly so it shorted out mic and caused feedback (clipping?)" | E_Layer |
| 15:38 - 15:41 | rushing, mic feedback, laughter towards end | E_Layer |
| 16:48 - 16:51 | rushing, chair creaking, pages rustling | E_Layer |
| 17:43 - 17:46 | other tape recorded over impacted transcription, rushing noise, pages rustling | E_Layer |
| 18:04 - 18:08 | other tape recorded over impacted transcription, spoke softly, pages rustling, rushing noise | E_Layer |
| 18:42 - 18:49 | other tape recorded over impacted transcription, spoke softly, pages rustling, rushing noise | E_Layer |